SEARCH
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Prev | Current Page 261 | Next

Streatfeild, R. A. (Richard Alexander), 1866-1919

"A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory."

He betrays the secret of their love, and
thereby loses Esclarmonde, but by his victory in a tournament at
Byzantium he regains her once more.
Massenet's music is a happy combination of Wagner's elaborate system of
guiding themes with the sensuous beauty of which he himself possesses
the secret. As regards the plan of 'Esclarmonde' his indebtedness to
Wagner was so patent, that Parisian critics christened him 'Mlle.
Wagner,' but nevertheless he succeeded in preserving his own
individuality distinct from German influence. No one could mistake
'Esclarmonde' for the work of a German; in melodic structure and
orchestral colouring it is French to the core.
'Werther' was written in 1886, though not actually produced until 1892,
when it was given for the first time at Vienna. The plot of Goethe's
famous novel is a rather slight foundation for a libretto, but the
authors did their work neatly and successfully. In the first act Werther
sees Charlotte cutting bread and butter for her little brothers and
sisters, and falls in love with her. In the second, Charlotte, now
married to Albert, finding that she cannot forget Werther and his
passion, sends him from her side. He departs in despair, meditating
suicide. In the last act Charlotte is still brooding over the forbidden
love, and will not be comforted by the artless prattle of her sister
Sophie. Werther suddenly returns, and after a passionate and tearful
scene, extorts from Charlotte the confession that she loves him.


Pages:
249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273