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Streatfeild, R. A. (Richard Alexander), 1866-1919

"A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory."


Since its production 'Carmen' has gradually advanced in general
estimation, and is now one of the most popular operas in the modern
repertory. It is unnecessary to do more than allude to its many
beauties, the nervous energy of the more declamatory parts, the
brilliant and expressive orchestration, the extraordinarily clever use
of Spanish rhythms, and the finished musicianship displayed upon every
page of the score. The catalogue of Bizet's works is completed by 'Don
Procopio,' an imitation of Italian opera buffa dating from his student
days in Rome. It was unearthed and produced at Monte Carlo in 1906. It
is a bright and lively little work, but has no pretensions to original
value. Bizet's early death deprived the French school of one of its
brightest ornaments. To him is largely due the development of opera
comique which has taken place within the last twenty years, a
development which has taken it almost to the confines of grand opera.
Jacques Offenbach (1819-1880), though German by birth, may fitly be
mentioned here, since the greater part of his life was spent in Paris,
and his music was more typically French than that of any of his Gallic
rivals. His innumerable operas bouffes scarcely come within the scope of
this work, but his posthumous opera comique, 'Les Contes d'Hoffman
(1881), is decidedly more ambitious in scope, and still holds the stage
by virtue of its piquant melody and clever musicianship.


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