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Streatfeild, R. A. (Richard Alexander), 1866-1919

"A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory."

He is not yet 'wise
through pity,' and Gurnemanz, disappointed, turns him from the temple
door.
In the second act we are in Klingsor's magic castle. The sorcerer,
knowing of the approach of Parsifal, summons Kundry to her task, and
with many sighs she has to submit to her master. Parsifal vanquishes the
knights who guard the castle, and enters the enchanted garden, a
wilderness of tropical flowers, vast in size and garish in colour. There
he is saluted by troops of lovely maidens, who play around him until
dismissed by a voice sounding from a network of flowers hard by.
Parsifal turns and sees Kundry, now a woman of exquisite loveliness,
advancing towards him. She tells him of his dead mother, and drawing him
towards her, presses upon his lips the first kiss of love. The touch of
defilement wakens him to a sense of human frailty. The wounded
Amfortas's cry becomes plain to him. He starts to his feet, throbbing
with compassion for a world of sin. No thought of sensual pleasure moves
him. He puts Kundry from him, and her endearments move him but to pity
and horror. Kundry in her discomfiture cries to Klingsor. He appears on
the castle steps, brandishing the sacred spear. He hurls it at Parsifal,
but it stops in the air over the boy's head. He seizes it and with it
makes the sacred sign of the Cross. With a crash the enchanted garden
and castle fall into ruin.


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