I am not saying that I do not see why that railroad could
not have tunnelled under the Doria garden rather than cut through it;
and I am waiting for that new building to justify its behavior toward
that poor old Hercules; but in the mean time I hold that Italy is for
the Italians who now live in it, and have to get that better living out
of it which we others all want our countries to yield us; and that it is
not merely a playground for tourists who wish to sentimentalize it, or
study it, or sketch it, or make copy of it, as I am doing now.
All the same I will not deny that I enjoyed more than any of the
improvements which I noted in Genoa that bit of the old Doria
palace-grounds which progress has left it. The gray edifice looks out on
the neighboring traffic across the leanness of a lovely old garden, with
statues and stone seats, and in the midst a softly soliloquizing
fountain, painted green with moss and mould. When you enter the palace,
as you do in response to a custodian who soon comes with a key and asks
if you would like to see it, you find yourself, one flight up, in a long
glazed gallery, fronting on the garden, which is so warm with the sun
that you wish to spend the rest of your stay in Genoa there.
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