They invest it with the appearance of
a bower decorated with buds and blossoms. From this, on the right, a
spacious arched door, surmounted by a semi-circle of stained glass
containing devices of the Muses and other allegorical figures, leads
into an immense parlour, having a centre arch hung with heavy folds
of maroon coloured velvet overspread with lace. Look where you will,
the picture of former wealth and taste presents itself. Around the
walls hang costly paintings, by celebrated Italian masters; some are
portraits of the sovereigns of England, from that of Elizabeth to
George the Third. Brilliant lights jet forth from massive
chandeliers and girandoles, lighting up the long line of chaste
furniture beneath. The floor is spread with softest Turkey carpet;
groups of figures in marble, skilfully executed, form a curiously
arranged fire-place; Britannia's crest surmounting the whole. At
each end of the room stand chastely designed pieces of statuary of
heroes and heroines of past ages. Lounges, ottomans, reclines, and
couches, elaborately carved and upholstered, stand here and there in
all their antiqueness and grandeur. Pier-glasses, massive tables
inlaid with mosaic and pearl, are arranged along the sides, and
overhung with flowing tapestry that falls carelessly from the large
Doric windows. Over these windows are massive cornices, richly
designed and gilded. Quiet grandeur pervades the whole; even the
fairy-like dais that has been raised for the nuptial ceremony rests
upon four pieces of statuary, and is covered with crimson velvet set
with sparkling crystals.
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