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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"

They only want young women. Think of the
money, Anthony!"
"For you--yes. But how about me?"
"Don't you know that anything I have is yours too?"
"It's such a hell of a career!" he burst out, the moral, the infinitely
circumspect Anthony, "and such a hell of a bunch. And I'm so utterly
tired of that fellow Bloeckman coming here and interfering. I hate
theatrical things."
"It isn't theatrical! It's utterly different."
"What am I supposed to do? Chase you all over the country? Live on your
money?"
"Then make some yourself."
The conversation developed into one of the most violent quarrels they
had ever had. After the ensuing reconciliation and the inevitable period
of moral inertia, she realized that he had taken the life out of the
project. Neither of them ever mentioned the probability that Bloeckman
was by no means disinterested, but they both knew that it lay back of
Anthony's objection.
In April war was declared with Germany. Wilson and his cabinet--a
cabinet that in its lack of distinction was strangely reminiscent of the
twelve apostles--let loose the carefully starved dogs of war, and the
press began to whoop hysterically against the sinister morals, sinister
philosophy, and sinister music produced by the Teutonic temperament.


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