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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"

Men asked to be introduced
to her, fell into prolonged states of sincere admiration, made definite
love to her--for she was still a thing of exquisite and unbelievable
beauty. And for his part Anthony had rather gained than lost in
appearance; his face had taken on a certain intangible air of tragedy,
romantically contrasted with his trim and immaculate person.
Early in the winter, when all conversation turned on the probability of
America's going into the war, when Anthony was making a desperate and
sincere attempt to write, Muriel Kane arrived in New York and came
immediately to see them. Like Gloria, she seemed never to change. She
knew the latest slang, danced the latest dances, and talked of the
latest songs and plays with all the fervor of her first season as a New
York drifter. Her coyness was eternally new, eternally ineffectual; her
clothes were extreme; her black hair was bobbed, now, like Gloria's.
"I've come up for the midwinter prom at New Haven," she announced,
imparting her delightful secret. Though she must have been older then
than any of the boys in college, she managed always to secure some sort
of invitation, imagining vaguely that at the next party would occur the
flirtation which was to end at the romantic altar.


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