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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"

New York--he could not
dissociate it now from the slow, upward creep of this people--the little
stores, growing, expanding, consolidating, moving, watched over with
hawk's eyes and a bee's attention to detail--they slathered out on all
sides. It was impressive--in perspective it was tremendous.
Gloria's voice broke in with strange appropriateness upon his thoughts.
"I wonder where Bloeckman's been this summer."

THE APARTMENT
After the sureties of youth there sets in a period of intense and
intolerable complexity. With the soda-jerker this period is so short as
to be almost negligible. Men higher in the scale hold out longer in the
attempt to preserve the ultimate niceties of relationship, to retain
"impractical" ideas of integrity. But by the late twenties the business
has grown too intricate, and what has hitherto been imminent and
confusing has become gradually remote and dim. Routine comes down like
twilight on a harsh landscape, softening it until it is tolerable. The
complexity is too subtle, too varied; the values are changing utterly
with each lesion of vitality; it has begun to appear that we can learn
nothing from the past with which to face the future--so we cease to be
impulsive, convincible men, interested in what is ethically true by fine
margins, we substitute rules of conduct for ideas of integrity, we value
safety above romance, we become, quite unconsciously, pragmatic.


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