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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"

He next brought out some of his own
handiwork--a pair of American pants, which he had made himself, and two
suits of solid silk underwear. He informed Anthony confidentially as to
the purpose for which these latter were reserved. The next exhibit was a
rather good copy of an etching of Abraham Lincoln, to whose face he had
given an unmistakable Japanese cast. Last came a flute; he had made it
himself but it was broken: he was going to fix it soon.
After these polite formalities, which Anthony conjectured must be native
to Japan, Tana delivered a long harangue in splintered English on the
relation of master and servant from which Anthony gathered that he had
worked on large estates but had always quarrelled with the other
servants because they were not honest. They had a great time over the
word "honest," and in fact became rather irritated with each other,
because Anthony persisted stubbornly that Tana was trying to say
"hornets," and even went to the extent of buzzing in the manner of a bee
and flapping his arms to imitate wings.
After three-quarters of an hour Anthony was released with the warm
assurance that they would have other nice chats in which Tana would tell
"how we do in my countree.


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