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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"

Its macadam became gravel, then dirt--moreover, it
narrowed and developed a border of maple trees, through which filtered
the weltering sun, making its endless experiments with shadow designs
upon the long grass.
"We're lost now," complained Anthony.
"Read that sign!"
"Marietta--Five Miles. What's Marietta?"
"Never heard of it, but let's go on. We can't turn here and there's
probably a detour back to the Post Road."
The way became scarred with deepening ruts and insidious shoulders of
stone. Three farmhouses faced them momentarily, slid by. A town sprang
up in a cluster of dull roofs around a white tall steeple.
Then Gloria, hesitating between two approaches, and making her choice
too late, drove over a fire-hydrant and ripped the transmission
violently from the car.
It was dark when the real-estate agent of Marietta showed them the gray
house. They came upon it just west of the village, where it rested
against a sky that was a warm blue cloak buttoned with tiny stars. The
gray house had been there when women who kept cats were probably
witches, when Paul Revere made false teeth in Boston preparatory to
arousing the great commercial people, when our ancestors were gloriously
deserting Washington in droves.


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