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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"


"What is it, dearest?" she murmured.
"Nothing"--he had relaxed to his pillow and turned toward her--"nothing,
my darling wife."
"Don't say 'wife.' I'm your mistress. Wife's such an ugly word. Your
'permanent mistress' is so much more tangible and desirable.... Come
into my arms," she added in a rush of tenderness; "I can sleep so well,
so well with you in my arms."
Coming into Gloria's arms had a quite definite meaning. It required that
he should slide one arm under her shoulder, lock both arms about her,
and arrange himself as nearly as possible as a sort of three-sided crib
for her luxurious ease. Anthony, who tossed, whose arms went tinglingly
to sleep after half an hour of that position, would wait until she was
asleep and roll her gently over to her side of the bed--then, left to
his own devices, he would curl himself into his usual knots.
Gloria, having attained sentimental comfort, retired into her doze. Five
minutes ticked away on Bloeckman's travelling clock; silence lay all
about the room, over the unfamiliar, impersonal furniture and the
half-oppressive ceiling that melted imperceptibly into invisible walls
on both sides.


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