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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"

Such a kiss--it
was a flower held against the face, never to be described, scarcely to
be remembered; as though her beauty were giving off emanations of itself
which settled transiently and already dissolving upon his heart.
... The buildings fell away in melted shadows; this was the Park now,
and after a long while the great white ghost of the Metropolitan Museum
moved majestically past, echoing sonorously to the rush of the cab.
"Why, Gloria! Why, Gloria!"
Her eyes appeared to regard him out of many thousand years: all emotion
she might have felt, all words she might have uttered, would have seemed
inadequate beside the adequacy of her silence, ineloquent against the
eloquence of her beauty--and of her body, close to him, slender
and cool.
"Tell him to turn around," she murmured, "and drive pretty fast going
back...."
Up in the supper room the air was hot. The table, littered with napkins
and ash-trays, was old and stale. It was between dances as they entered,
and Muriel Kane looked up with roguishness extraordinary.
"Well, where have _you_ been?"
"To call up mother," answered Gloria coolly. "I promised her I would.


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