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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"

In the higher light it seemed to Anthony that her
personality was infinitely softer--she seemed so young, scarcely
eighteen; her form under the tight sheath, known then as a hobble-skirt,
was amazingly supple and slender, and her hands, neither "artistic" nor
stubby, were small as a child's hands should be.
As they entered, the orchestra were sounding the preliminary whimpers to
a maxixe, a tune full of castanets and facile faintly languorous violin
harmonies, appropriate to the crowded winter grill teeming with an
excited college crowd, high-spirited at the approach of the holidays.
Carefully, Gloria considered several locations, and rather to Anthony's
annoyance paraded him circuitously to a table for two at the far side of
the room. Reaching it she again considered. Would she sit on the right
or on the left? Her beautiful eyes and lips were very grave as she made
her choice, and Anthony thought again how naive was her every gesture;
she took all the things of life for hers to choose from and apportion,
as though she were continually picking out presents for herself from an
inexhaustible counter.
Abstractedly she watched the dancers for a few moments, commenting
murmurously as a couple eddied near.


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