THREE MEN
At seven Anthony and his friend Maury Noble are sitting at a corner
table on the cool roof. Maury Noble is like nothing so much as a large
slender and imposing cat. His eyes are narrow and full of incessant,
protracted blinks. His hair is smooth and flat, as though it has been
licked by a possible--and, if so, Herculean--mother-cat. During
Anthony's time at Harvard he had been considered the most unique figure
in his class, the most brilliant, the most original--smart, quiet and
among the saved.
This is the man whom Anthony considers his best friend. This is the only
man of all his acquaintance whom he admires and, to a bigger extent than
he likes to admit to himself, envies.
They are glad to see each other now--their eyes are full of kindness as
each feels the full effect of novelty after a short separation. They are
drawing a relaxation from each other's presence, a new serenity; Maury
Noble behind that fine and absurdly catlike face is all but purring. And
Anthony, nervous as a will-o'-the-wisp, restless--he is at rest now.
They are engaged in one of those easy short-speech conversations that
only men under thirty or men under great stress indulge in.
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