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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"The Beautiful and Damned"


"--history," finished Anthony.
"History? History of what? The Civil War? The Revolution?"
"Why--no, sir. A history of the Middle Ages." Simultaneously an idea was
born for a history of the Renaissance popes, written from some novel
angle. Still, he was glad he had said "Middle Ages."
"Middle Ages? Why not your own country? Something you know about?"
"Well, you see I've lived so much abroad--"
"Why you should write about the Middle Ages, I don't know. Dark Ages, we
used to call 'em. Nobody knows what happened, and nobody cares, except
that they're over now." He continued for some minutes on the uselessness
of such information, touching, naturally, on the Spanish Inquisition and
the "corruption of the monasteries." Then:
"Do you think you'll be able to do any work in New York--or do you
really intend to work at all?" This last with soft, almost
imperceptible, cynicism.
"Why, yes, I do, sir."
"When'll you be done?"
"Well, there'll be an outline, you see--and a lot of preliminary
reading."
"I should think you'd have done enough of that already."
The conversation worked itself jerkily toward a rather abrupt
conclusion, when Anthony rose, looked at his watch, and remarked that he
had an engagement with his broker that afternoon.


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