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Various

"The Continental Monthly, Vol III, Issue VI, June, 1863 Devoted to Literature and National Policy"


No. 90. 'Mansfield Mountain, Sunset'--S. R. Gifford, N. A. A glorious
tale, gloriously told! 'The heavens show forth the glory of God, and the
firmament declareth the work of his hands. Day to day uttereth speech,
and night to night showeth knowledge. * * * He hath set his tabernacle
in the sun; and he * * * hath rejoiced as a giant to run the way: His
going out is from the end of heaven, and his circuit even to the end
thereof: and there is no one that can hide himself from his heat.' This
artist seems literally to have dipped his brush in light, pure light. We
remember a juvenile book, entitled, 'A Trap to catch a Sunbeam;' such a
trap must Gifford possess; he surely keeps tubes filled with real rays
wherewith to flood the canvas and transfigure the simplest subject. Here
we have a mountain, a lake, some sky, clouds, and a setting sun--but
what an admirable combination! The picture seems fairly to illumine that
part of the gallery in which it is placed. Had the artist lived in the
olden time, he might have been feloniously made way with for his secret,
but the present age seems more generous, and his fellow workers delight
to praise and honor his genius. We find from the same hand 'Kauterskill
Clove' (No. 15)--a flood of golden beams poured upon a mountain glen,
with rifted sides, autumn foliage, and a tiny stream; a coming storm
obscures but does not hide the distant hills. A bold delineation--but
very beautiful, and true to the character of the scenery it represents.


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