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Collins, Wilkie, 1824-1889

"Antonina"

The
tattered robe that had hitherto enveloped the fugitive had fallen back,
and disclosed the white dress, which was the only other garment she
wore. Her face, throat, and arms, had been turned, by exposure to the
cold, to the pure whiteness of marble. Her eyes were closed, and her
small, delicate features were locked in a rigid repose. But for her
deep black hair, which heightened the ghastly aspect of her face, she
might have been mistaken, as she lay in the woman's arms, for an
exquisitely chiseled statue of youth in death!
When the figure of the young warrior, arrayed in his martial
habiliments, and standing near the insensible girl with evident emotions
of wonder and anxiety, was added to the group thus produced,--when
Goisvintha's tall, powerful frame, clothed in dark garments, and bent
over the fragile form and white dress of the fugitive, was illuminated
by the wild, fitful glare of the torch,--when the heightened colour,
worn features, and eager expression of the woman were beheld, here
shadowed, there brightened, in close opposition to the pale, youthful,
reposing countenance of the girl, such an assemblage of violent lights
and deep shades was produced, as gave the whole scene a character at
once mysterious and sublime.


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