It is with the beings, and not the
buildings of old Rome, that their attention is to be occupied. We
desire to present them with a picture of the inmost emotions of the
times--of the living, breathing actions and passions of the people of
the doomed Empire. Antiquarian topography and classical architecture we
leave to abler pens, and resign to other readers.
It is, however, necessary that the sphere in which the personages of our
story are about to act should be in some measure indicated, in order to
facilitate the comprehension of their respective movements. That
portion of the extinct city which we design to revive has left few
traces of its existence in the modern town. Its sites are
traditionary--its buildings are dust. The church rises where the temple
once stood, and the wine-shop now lures the passing idler where the bath
invited his ancestor of old.
The walls of Rome are in extent, at the present day, the same as they
were at the period of which we now write. But here all analogy between
the ancient and modern city ends.
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