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Collins, Wilkie, 1824-1889

"Antonina"

All objects, animate and
inanimate, are in harmony with each other. It is a scene of
spiritualised indolence--a picture of dreamy beatitude in the inmost
sanctuary of unruffled repose.
Amid this assemblage of beauty and nobility, the members of which were
rather to be generally noticed than particularly observed, there was,
however, one individual who, both by the solitary occupation he had
chosen and his accidental position in the room, was personally
remarkable among the listless patricians around him.
His couch was placed nearer the window than that of any other occupant
of the chamber. Some of his indolent neighbours--especially those of the
gentler sex--occasionally regarded him with mingled looks of admiration
and curiosity; but no one approached him, or attempted to engage him in
conversation. A piece of vellum lay by his side, on which, from time to
time, he traced a few words, and then resumed his reclining position,
apparently absorbed in reflection, and utterly regardless of all the
occupants, male and female, of the imperial apartment.


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