The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freaked with jet,
The glowing violet,
The musk-rose and the well-attired woodbine,
With cowslips wan that hang the pensive head,[062]
And every flower that sad embroidery wears;
Bid Amaranthus all his beauty shed,
And daffodillies fill their cups with tears,
To strew the laureate hearse where Lycid lies,
For, so to interpose a little ease,
Let our frail thoughts dally with faint surmise
Here is a nosegay of spring-flowers from the hand of Thomson:--
Fair handed Spring unbosoms every grace,
Throws out the snow drop and the crocus first,
the daisy, primrose, violet darkly blue,
And polyanthus of unnumbered dyes,
The yellow wall flower, stained with iron brown,
And lavish stock that scents the garden round,
From the soft wing of vernal breezes shed,
Anemonies, auriculas, enriched
With shining meal o'er all their velvet leaves
And full ranunculus of glowing red
Then comes the tulip race, where Beauty plays
Her idle freaks from family diffused
To family, as flies the father dust,
The varied colors run, and while they break
On the charmed eye, the exulting Florist marks
With secret pride, the wonders of his hand
Nor gradual bloom is wanting, from the bird,
First born of spring, to Summer's musky tribes
Nor hyacinth, of purest virgin white,
Low bent, and, blushing inward, nor jonquils,
Of potent fragrance, nor Narcissus fair,
As o'er the fabled fountain hanging still,
Nor broad carnations, nor gay spotted pinks;
Nor, showered from every bush, the damask rose.
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