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Chapin, Anna Alice, 1880-1920

"Greenwich Village"

"
After a few days an artist came along who was not wholly obsessed
with the new craze. He studied the thing on the wall, and after a
while he said: "Someone is guying you. That isn't a picture. It's a
joke."
The futurist devotees were indignant, but there were enough who were
stung by faint suspicion to investigate. They studied that signature
upside down and under a microscope. After a while they got the
identity of the man responsible for it, and--we draw a veil over the
rest!
Then there was the man--another one--who, by way of a cheerful
experiment, painted a post-impressionist picture with a billiard cue,
jabbing gaily at the canvas as though trying to make difficult screwed
shots, caroms and so on. Having done his worst in this way, he then
took his picture to a gallery and exhibited it upside down. It
attracted much attention and a fair quota of praise.
Stories such as these might discourage one if one did not keep
remembering that even in far deeper and greater affairs of life, "A
hair perhaps divides the false and true.


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