The glare of a plain glass lamp was softened by a too costly
silk shade. Over the rim of a common vase hung a few daffodils, too
costly daffodils. The supper, frugal to a bargain, tempted the eye and
the appetite by the good sense with which it had been chosen and
prepared. Thus the whole scene betokened human nature at bay but
victorious in the presence of that wolf, whose near-by howl startles the
poor out of their sleep.
Into this empty room sounds penetrated through a door. They proceeded
from piano-keys evidently so old that one wondered whether possibly they
had not begun to be played on in the days of Beethoven, whether they
were not such as were new on the clavichord of Bach. The fingers that
pressed them were unmistakably those of a child. As the hands wandered
up and down the keyboard, the ear now and then took notice of a broken
string. There were many of these broken strings. The instrument plainly
announced itself to be a remote, well-nigh mythical ancestor of the
modern piano, preternaturally lingering on amid an innumerable deafening
progeny. It suggested a superannuated human being whose loudest
utterances have sunk to ghostly whispers in a corner.
Once the wandering hands stopped and a voice was heard. It sounded as
though pitched to reach some one in an inner room farther away, possibly
a person who might just have passed from a kitchen to a bedroom to make
some change of dress.
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