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Allen, James Lane, 1849-1925

"A Cathedral Singer"

Women, sometimes great women, have in
history, at the hour of their supreme tragedies, thus demeaned
themselves--for the hospital, for baptism, for the guillotine, for the
stake, for the cross.
But because she made herself poor in apparel, she became most rich in
her humanity. There was nothing for the eye to rest upon but her bare
self. And thus the contours of the head, the beauty of the hair, the
line of it along the forehead and temples, the curvature of the brows,
the chiseling of the proud nostrils and the high bridge of the nose, the
molding of the mouth, the modeling of the throat, the shaping of the
shoulders, the grace of the arms and the hands--all became conspicuous,
absorbing. The slightest elements of physique and of personality came
into view powerful, unforgetable.
She stood, not noticing anything, waiting for instructions. With the
courtesy which was the soul of him and the secret of his genius for
inspiring others to do their utmost, the master of the class glanced at
her and glanced at the members of the class, and tried to draw them
together with a mere smile of sympathetic introduction. It was an
attempt to break the ice. For them it did break the ice; all responded
with a smile for her or with other play of the features that meant
gracious recognition.


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