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Ford, Ford Madox, 1873-1939

"The Good Soldier"

I never thought
that Leonora looked her best in evening dress. She seemed to get
it too clearly cut, there was no ruffling. She always affected black
and her shoulders were too classical. She seemed to stand out of
her corsage as a white marble bust might out of a black
Wedgwood vase. I don't know.
I loved Leonora always and, today, I would very cheerfully lay
down my life, what is left of it, in her service. But I am sure I
never had the beginnings of a trace of what is called the sex
instinct towards her. And I suppose--no I am certain that she never
had it towards me. As far as I am concerned I think it was those
white shoulders that did it. I seemed to feel when I looked at them
that, if ever I should press my lips upon them that they would be
slightly cold--not icily, not without a touch of human heat, but, as
they say of baths, with the chill off. I seemed to feel chilled at the
end of my lips when I looked at her . . .
No, Leonora always appeared to me at her best in a blue
tailor-made. Then her glorious hair wasn't deadened by her white
shoulders. Certain women's lines guide your eyes to their necks,
their eyelashes, their lips, their breasts.


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