De Quincey said, "None but a man of extraordinary talent
can write first-rate nonsense." Only a short study of the subject is
required to convince us that De Quincey was right; and he might have
added, none but a man of extraordinary taste can appreciate
first-rate nonsense. As an instance of this, we may remember that
Edward Lear, "the parent of modern nonsense-writers," was a talented
author and artist, and a prime favorite of such men as Tennyson and
the Earls of Derby; and John Ruskin placed Lear's name at the head
of his list of the best hundred authors.
"Don't tell me," said William Pitt, "of a man's being able to talk
sense; every one can talk sense. Can he talk nonsense?"
The sense of nonsense enables us not only to discern pure nonsense,
but to consider intelligently nonsense of various degrees of purity.
Absence of sense is not necessarily nonsense, any more than absence
of justice is injustice.
Etymologically speaking, nonsense may be either words without meaning,
or words conveying absurd or ridiculous ideas. It is the second
definition which expresses the great mass of nonsense literature,
but there is a small proportion of written nonsense which comes
under the head of language without meaning.
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