You'll be a treat to our mother. I--well, I'm
hanged--all the way from Philadelphia!"
There was even a sparkle to talk then, and a let-up of pressure. After
a while, Sarah Kantor looked up at her son, tremulous but smiling.
"Well, son, you going to play--for your old mother before--you go? It'll
be many a month--spring--maybe longer before I hear my boy again except
on the discaphone."
He shot a quick glance to his sister.
"Why, I--I don't know. I--I'd love it, ma if--if you think, Esther, I'd
better."
"You don't need to be afraid of me, darlink. There's nothing can give me
strength to bear--what's before me like--like my boy's music. That's my
life, his music."
"Why, yes; if mamma is sure she feels that way, play for us, Leon."
He was already at the instrument, where it lay swathed, atop the grand
piano.
"What'll it be, folks?"
"Something to make ma laugh, Leon--something light, something funny."
"'Humoresque'?" he said, with a quick glance for Miss Berg.
"'Humoresque,'" she said, smiling back at him.
He capered through, cutting and playful of bow, the melody of Dvorak's,
which is as ironic as a grinning mask.
Finished, he smiled at his parent, her face still untearful.
"How's that?"
"It's like life, son, that piece. Laughing and making fun of--the way
just as we think we got--we ain't got."
"Play that new piece, Leon, the one you set to music. You know. The
words by that young boy in the war who wrote such grand poetry before he
was killed.
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