And then,
like a shimmering background of orange-finned and copper-flanked marine
life, the brass shops of Allen Street, whole rows of them, burn
flamelessly and without benefit of fuel.
To enter Abrahm Kantor's--Brasses--was three steps down, so that his
casement show-window, at best filmed over with the constant rain of dust
ground down from the rails above, was obscure enough, but crammed with
the copied loot of khedive and of czar. The seven-branch candlestick so
Biblical and supplicating of arms. An urn, shaped like Rebecca's, of
brass all beaten over with little poks. Things: cups, trays, knockers,
ikons, gargoyles, bowls, and teapots. A symphony of bells in graduated
sizes. Jardinieres with fat sides. A pot-bellied samovar. A swinging
lamp for the dead, star-shaped. Against the door, an octave of tubular
chimes, prisms of voiceless harmony and of heatless light.
Opening this door, they rang gently, like melody heard through water
and behind glass. Another bell rang, too, in tilted singsong from a
pulley operating somewhere in the catacomb rear of this lambent vale of
things and things and things. In turn, this pulley set in toll still
another bell, two flights up in Abrahm Kantor's tenement, which
overlooked the front of whizzing rails and a rear wilderness of
gibbet-looking clothes-lines, dangling perpetual specters of flapping
union suits in a mid-air flaky with soot.
Often at lunch, or even the evening meal, this bell would ring in on
Abrahm Kantor's digestive well-being, and while he hurried down, napkin
often bib-fashion still about his neck, and into the smouldering lanes
of copper, would leave an eloquent void at the head of his
well-surrounded table.
Pages:
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211