He had cut the great cases
into a dry recital. There was no longer in them any pressure of a human
impulse. The glow of inspired detail had been dissected out. Everything
startling and wonderful had been devitalized.
The memoir was a report.
The bulky typewritten manuscript lay on the table beside the electric
lamp, and I stood about uncertain how to tell him.
"Walker," I said, "did nothing wonderful ever happen to you in the
adventure of these cases?"
"What precisely do you mean?" he replied.
The practical nature of the man tempted me to extravagance.
"Well," I said, "for example, were you never kissed in a lonely street
by a mysterious woman and the flash of your dark lantern reveal a face
of startling beauty?"
"No," he said, as though he were answering a sensible question, "that
never happened to me."
"Then," I continued, "perhaps you have found a prince of the church,
pale as alabaster, sitting in his red robe, who put together the
indicatory evidence of the crime that baffled you with such uncanny
acumen that you stood aghast at his perspicacity?"
"No," he said; and then his face lighted. "But I'll tell you what I did
find. I found a drunken hobo at Atlantic City who was the best detective
I ever saw."
I sat down and tapped the manuscript with my fingers.
"It's not here," I said. "Why did you leave it out?"
He took a big gold watch out of his pocket and turned it about in his
hand. The case was covered with an inscription.
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